Audio Vertigo

Audio Vertigo (stylised in all caps as AUDIO VERTIGO) is the tenth studio album by British alternative rock band Elbow, released on 22 March 2024 via Polydor Records. It received acclaim from critics, and debuted at number one on the UK Albums Chart, becoming the band's fourth number-one album in the UK.

Composition and recording

Audio Vertigo was recorded during 2023 at the band's home studios, Migration Studios in Gloucestershire, and the Dairy in London. Session and touring drummer Alex Reeves contributed to the writing of the album, which led to him being promoted to a full member of the band.

Regarding the lead single "Lover's Leap", frontman Guy Garvey said "then I came up with that sort of spitty distorted horn line for a change – ended up me and Craig playing the melodica. Two big men playing a small instrument made the other guys laugh! And then out came this tale of star crossed lovers and spontaneous graffiti and gift-shop retail."

Additionally Garvey wanted the album "not to reflect but distract from the bad things happening in the world". Further describing, "We found seedy, gnarly grooves playing in back rooms and those pulled some dark memories and plenty of humour from me."

Promotion

On 20 October 2023, Elbow announced a list of UK arena dates for May 2024. The band's singer Guy Garvey told NME that their forthcoming album would be "in very sharp contrast to [Flying Dream 1]" (2021), the band's previous album, stating that while Flying Dream 1 was "a beautiful, gentle record", the new album "deals with some pretty inky stuff ... all set to a very thick, guitar, drum and groove-based thing".

On 25 January 2024, the band announced the album's title, Audio Vertigo, and its release date of 22 March 2024, and shared the first single from the album, "Lovers' Leap".

The album was promoted by two more singles ahead of its release: "Balu" was released on 1 March 2024, and "Good Blood Mexico City" on 12 March 2024. A fourth single, "Things I've Been Telling Myself for Years", was released on the same day as the album on 22 March 2024.

Critical reception

Audio Vertigo received acclaim from critics, with several calling it the band's "best album in years". It has a score of 86 out of 100 on review aggregator Metacritic based on eleven critics' reviews, indicating "universal acclaim". In Uncut, John Lewis noted the "wonderful turns of phrase" and called the album "top stuff", while James McNair of Mojo stated that "a panoply of touchstones informs Audio Vertigo, from Arctic Monkeys' recent spy-noir to Fela Kuti grooves to Smithsian indie ... ennobling imagination-overload songs about self-deception, toxic relationships, and a real-life knife fight Elbow's frontman saw in Istanbul", while "Garvey's allusive, playful lyrics are as golden as those of your Bermans and Caves here". In Classic Rock, Chris Roberts described the record as "wild, sweaty fun" with "influences from Marc Bolan to Tom Waits", but that "the energy and buoyancy never sacrifice Elbow's innate knack for emotional impact, as Garvey sings with poetic accuracy of the abyss, various hallelujahs and the meaning of love".

Kathryn Reilly of The Arts Desk stated that "The entire album is dirtier and freer and, as ever, they seem to pull something extra out of the bag" and called the record "another triumph that deepens with every listen." Mark Beaumont in The Independent was more critical, saying that the album preferred "to evoke the skittering polyrhythms, dank moods and spare melodies of early records such as 2001's Asleep in the Back ... but beyond 'Lovers Leap' and the buzz rock bits of 'Balu', 'The Picture', and 'Good Blood Mexico City', little else on Audio Vertigo slashes out of the speakers at you". Writing for The Irish Times, Lauren Murphy called Audio Vertigo "an enjoyable tussle between offbeat, weird indie tunes and anthemic, beefy war cries", and that "It sounds as if Elbow have rediscovered the sense of experimentation that informed their early material ... the sound of a band not just surviving but creatively thriving".

NME's Andrew Trendell said that the album had an "impish spirit" and would be "the grit in the oyster of their catalogue", concluding that "this is a record to be enjoyed in its fullest form with all its hefty meat, mirrorball flashes and grizzly peaks". In The Guardian, Dave Simpson stated that the album features "bubbling synths, playful orchestrations, African-inspired rhythms ... The lyrics, meanwhile, are a darkly humorous rumination on how we romanticise tragic youth", but that "for all Elbow's adventures, the foundations are still classy songwriting, heart and soul". For Under the Radar, Matt the Raven stated that "in classic Elbow style, the songs on Audio Vertigo sound unmistakably Elbow, but also like nothing you might expect", describing the album as "excellent" and "a testament to the band's gifted musicianship, capable songwriting, and mindset to create something special". Christopher Connor of Clash called the album "a stellar record" and "a hugely eclectic tapestry of influences, woven together seamlessly", and that it was "an album that further cements their legacy and feels like it captures elements from across their 20-year career into something wholly new and exciting".

Track listing

Personnel

Credits are adapted from the album's liner notes.

Elbow

• Guy Garvey – vocals, horn arrangements
• Craig Potter – keyboards, producer, mixing
• Mark Potter – guitars
• Pete Turner – bass
• Alex Reeves – drums

Additional personnel

• Sarah Field – trumpet, saxophones
• Carol Jarvis – trombones
• Victoria Rule – trumpet
• Ella Hohnen-Ford, Kianja, Eliza Oakes – additional backing vocals
• Jack Heyworth, Elvin Reeves, Otto Simpson, Jack Stirling Garvey, Martha Turner, Ted Turner – kids choir

Production

• Danny Evans – engineer
• Charlie Leake – additional engineering on "Things I've Been Telling Myself for Years", "Balu" and "Her to the Earth"
• Dicky – co-engineer on "Lovers' Leap", assistant engineer on "Things I've Been Telling Myself for Years", "Balu", "Her to the Earth", "Knife Fight" and "Good Blood Mexico City"
• Ronan Murphy – assistant engineer on "Things I've Been Telling Myself for Years", "Balu" and "Her to the Earth"
• Thurston Jepps – assistant engineer on "Her to the Earth"
• Matt Colton – mastering at Metropolis Mastering, London
• Richard Andrews – design at Supermatic
• Peter Neill – contributing photography

Charts

References